On 19th March 2018, I had the pleasure of attending FUTURE IMAGE – a digital art exhibition in London featuring Eugene Ankomah’s ‘Brainwave series’.
It was a medium size presentation which saw Eugene’s masterpieces casually displayed on the walls. I appreciated how raw and unpretentious it was: with each piece merely being held up and attached to the walls using Bull Dog Clips. This was a refreshingly laid-back element (as opposed to the typical and predictable picture frames) meaning that observers could soak up the work and really bond with it up close and personal without feeling intimidated. You could literally touch it if you wanted to for there were no barriers.
Coloured lights beamed from the floor and reflected onto selected pieces of Eugene’s work, with each different colour cleverly evoking various perspectives and drawing the captivating infusion of energies embedded within his work. This created a profoundly cosmic atmosphere in the whole room. It was quite magical.
This piece alone, one would say, is a great representative of what Eugene’s “Brainwave Series” is about. It really encapsulates the whole energy of the project. I also felt that this image had a strong musical energy to it for some reason. It even made me think of the artist Kanye West – something I could definitely see him understanding and rocking on a t-shirt! Therefore, if anyone has any ties to Kanye, do give him a shout and tell him about Eugene please!
“Let The Music Play On” is the piece in which this feature stood out the most. It was layered to look like an oil or acrylic painting: clever and carefree, while still telling an intricate story.
Eugene manages to convey a genius sense of balance consistently within his work: I get a sense of dark political messages while also having a contrasting childlike naivety – all at the same time. This type of balance is a powerful feature which will attract and draw people of all ages and walks of life to the art of Eugene.
Although I was able to read and interpret some of the underlying messages within some of his work – they still however remained highly complex in their own way. This mirrored how mysterious, layered and enigmatic of an artist that Eugene is.
It left me wondering whether anyone really knows or will ever know who the real Eugene Ankomah is deep down and the level of depth within his mind.
I left the exhibition itching to see more of Eugene Ankomah’s work and wanting to know more about the artist himself. I left as a true fan and supporter of this young man’s work and I will definitely be stalking any future exhibitions that he may have for sure.
So, folks if you don’t yet know about and haven’t seen the work of Eugene Ankomah, understand that I’ve just given you a taste. Please do brace yourselves because I’m sure you soon will! Y’all better get to researching and stalking him yo!
By Latoya Casely-Hayford